Monday, May 24, 2021

Waverley, 4.05 - John Fuller

 

 Waverley, 4.05.

 

At Waverley, at Waverley,
Although I didn’t show it,
I knew a certain thing that
Needed knowing,
At Waverley.

A resolve in the heart
Deeper than any words,
An unexpected reward
After some time apart,
At Waverley.

Beneath that iron edifice
And its dulled reverberation of voices
Your lips reached up to mine
With a fresh Scottish kiss,
At Waverley, at Waverley.

I had come to stay with your sister
In Scott’s metropolis,
And you were just like yourself
When you met me with a kiss
At Waverley, at Waverley.

Greeting you there, after empty weeks at home
When your existence seemed a fabulous rumour,
I was restored to a possession of myself
Of which you were an indissoluble part.

I had thought that my life would never begin.
But there you were, and no thought of an ending,
Like a landscape bathed in light, where legends start,
Like a won position at chess, that needs no defending.

You put your arm in mine at Waverley
And I was willingly led out of the concourse
Into our resumed and now entirely certain life
Whose truth possessed me with a renewed force
At Waverley, at Waverley.

The name was strange—Waverley,
So appropriate for a railway station
With its moods of hesitation and goodbye,
But inappropriate for me

When for once, and at once, and for all time,
With a kiss that was both a reminder and a promise,
A perfect fresh kiss that could never lie,
I knew that I would never say goodbye.

Hovis Presley - I rely on you

 I rely on you

I rely on you
like a Skoda needs suspension
like the aged need a pension
like a trampoline needs tension
like a bungee jump needs apprehension
I rely on you
like a camera needs a shutter
like a gambler needs a flutter
like a golfer needs a putter
like a buttered scone involves some butter
I rely on you
like an acrobat needs ice cool nerve
like a hairpin needs a drastic curve
like an HGV needs endless derv
like an outside left needs a body swerve
I rely on you
like a handyman needs pliers
like an auctioneer needs buyers
like a laundromat needs driers
like The Good Life needed Richard Briers
I rely on you
like a water vole needs water
like a brick outhouse needs mortar
like a lemming to the slaughter
Ryan's just Ryan without his daughter
I rely on you

© H Presley 1994

Saturday, May 15, 2021

Short Stories

 http://www.searchengine.org.uk/ebooks/82/100.pdf

(The Rocking Horse Winner - DH Lawrence)

https://xroads.virginia.edu/~DRBR/wf_rose.html

(A Rose for Emily - William Faulkner)

https://loa-shared.s3.amazonaws.com/static/pdf/Cheever_Swimmer.pdf

(The Swimmer - John Cheever)

http://www.giuliotortello.it/ebook/cathedral.pdf

(Cathedral - Raymond Carver)

http://image.guardian.co.uk/sys-files/Books/documents/2009/01/09/TheYellowWallpaper.pdf

(The Yellow Wallpaper - Charlotte Perkins Gilman)

https://www.juhsd.net/cms/lib/CA01902464/Centricity/Domain/256/2016_The%20Veldt.pdf

(The Veldt - Ray Bradbury)

https://www.ibiblio.org/ebooks/Poe/Amontillado.pdf

(The Cask of Amontillado - Edgar Allen Poe)

http://www.blacklivesmattersyllabus.com/wp-content/uploads/2012/09/going_to_meet_the_man.pdf

(Going to Meet the Man - James Baldwin)

https://commapress.co.uk/resources/online-short-stories/the-signalman-charles-dickens

(The Signalman - Charles Dickens)

https://onehundredpages.wordpress.com/84-of-the-best-british-short-stories/

(84 Best British Short Stories)

http://www.katherinemansfieldsociety.org/assets/KM-Stories/THE-GARDEN-PARTY1921.pdf

(The Garden Party - Katherine Mansfield)

http://digital.library.upenn.edu/women/woolf/monday/monday-08.html

(The Mark on the Wall - Virginia Woolf)

https://sites.evergreen.edu/politicalshakespeares/wp-content/uploads/sites/226/2015/12/Borges-The-Library-of-Babel.pdf

(The Library of Babel  - Jorge Luis Borges)

http://xroads.virginia.edu/~DRBR/goodman.html

(A Good Man is Hard to Find - Flannery O'Connor)

http://www.arts.uwaterloo.ca/~raha/793CA_web/PenalColony.pdf

(In The Penal Colony - Franz Kafka)

https://bookriot.com/free-short-stories-online/

(18 Free Short Stories)

http://www.giuliotortello.it/articoli/fire.pdf

(To Build a Fire - Jack London)

http://www.classicshorts.com/stories/EndParty.html

(The End of the Party - Graham Greene)

https://www.plato-philosophy.org/wp-content/uploads/2016/05/Araby.pdf

(Araby - James Joyce)

https://theshortstory.co.uk/devsitegkl/wp-content/uploads/2015/06/Short-stories-Dorothy-Parker-A-Telephone-Call.pdf

(A Telephone Call - Dorothy Parker)

https://www.classicshorts.com/stories/thefalls.html

(The Falls - George Saunders)


TF Powys - Lie thee down oddity!

 

"LIE THEE DOWN, ODDITY" BY T.F. POWYS

Though the sun shone with summer heat, the damp August warmth giving the rather faded countryside a new glow in her cheeks—for there had been a good all-night's rain—yet Mr. Cronch wore his black felt hat, of the cut that used to be worn by evangelical clergymen in the last century.

The Honourable George Bullman, who employed Mr. Cronch as head-gardener, had spoken to him some years before about this hat of his, which was the only thing about Mr. Cronch that gave a hint of peculiarities. "Your Methodist hat will be the ruin of you one day, Cronch," Mr. Bullman had observed, while discussing with his gardener the making of a new lawn.

Mr. Cronch was mowing the lawn; he had bid the under-gardener work elsewhere. To please and humour Cronch, Mr. Bullman used no motor-mowing machine. Cronch did not like them. But the under-gardener had hardly looked at the old-fashioned mower before he complained that such labour was beyond his power. To push all day such an awkward instrument "that might", the young man said, "have been used by Adam" was out of the question for anyone who understood the arts and fancies of oil-driven machinery. Mr. Cronch did the work himself. "One has, you know, to pay for one's oddities," he told his wife Jane.

At Green Gate House the grounds were always in the best order; there was never a weed in the kitchen-garden or a plantain on the lawn, but in one place, bordering the lawn, there were railings, and over these railings there was the heath. A different world, that looked with contempt upon the soft pelt of a smooth lawn, which was indeed like the skin of a tamed beast that did nothing else but lie and bask in the sun while its sleek hide was being curry-combed by Mr. Cronch.

The heath was a different matter from the garden. All was nature there, and she is a wild, fierce, untutored mother. Flowers and weeds, unnoticed, lived there, fighting the battle of their lives, careless of man, but living as they were commanded to live at the first moving of the waters. The raven and the falcon nested in the tall trees beyond a desolate swamp, and only a solitary heath-cutter might sometimes be seen with his load, taking a long track towards the waste land. Who, indeed, would view such barrenness when there was the Honourable George Bullman's garden to admire?

Mr. Bullman could afford a good gardener. The head-gardener's cottage, where Mr. Cronch and his wife lived, had every comfort of a modem well-built house. No servant of Mr. Bullman had anything to complain of. No one would leave such service, could they avoid doing so.

Over the heath, even the winds blew differently from the gentle garden ones. Out there the blasts could roar and bellow, wrench the boughs from the trees, and rush along madly, but in the summer-time garden all winds were soft.

Mr. Cronch stopped. He took the box from the mower and tipped the cut grass into the wheelbarrow. The wheelbarrow was full of sweet-smelling grass. Mr. Cronch then whistled softly, and Robert, the under-gardener, left his weeding and trundled the barrow to the cucumber-frames. He returned with the empty barrow at a slow, even pace—the gait of a well-paid gardener, as learned from Mr. Cronch.

Mr. Cronch began to mow again. He came near to the railings beyond which was the heath. Then he stopped. He took off his hat and looked into it. He looked at the lawn. Nowhere in the world, out of England, could any lawn have been smoother or more green. There was not the smallest clover leaf there that was not consecrated to the fine taste of a proper gentleman, and ready to be pressed by the elegant foot of a real lady. The smooth banks, the beds of flowers near by, might have been a modern picture in colours; they were so unlike nature. There was nothing rude or untidy there, and every cabbage in the kitchen-garden wore a coronet.

Mr. Cronch should, after a little rest, have continued to push the machine, but instead of doing so, he looked over the railings at the heath.

Mr. Cronch had not changed, as the garden was changed when it became the heath. He was the same Mr. Cronch who had, at one o'clock, cut the finest cucumber in the garden for Mr. Bullman's lunch. He waited for another moment or two and then softly put on his hat. After doing so, he spoke aloud. "Lie thee down. Oddity!" said Mr. Cronch. Then Mr. Cronch shook his head, as much as to say that if the Oddity would not lie down, it was no fault of his. For such a being it was impossible to control. Had the Oddity lain down, then Mr. Cronch would have gone on with his work, as a wise man should, who earns four pounds a week, with a good house and garden, and with leave to sell whatever he likes from his master's.

But Mr. Cronch did not start work again. It was no good; whatever happened to him the Oddity must be obeyed. The Oddity knew best. Mr. Cronch left the machine where it was, near to the railings. He walked with the same slow gardener's walk—that showed, as much as any walk could, a hatred of all untidiness and disorder—and came to the potting-shed. Then he put on his coat.

The hour was three in the afternoon. Mr. Cronch learned that from his watch. Then he listened. What he expected, happened; the church clock that was just across the way struck three. Mr. Cronch's watch was always right. It was no use mentioning that to the Oddity. He would not lie down the more because Mr. Cronch's gold watch—a gift of Mr. Bullman's—went with the church time.

Mr. Cronch shut the potting-shed door and went home. He remarked, when he saw his wife, as though he said nothing of particular interest, that he had given up work at Green Gate House. He told her to begin to pack, for they were leaving the gardener's cottage as soon as possible.

Jane thought him mad, and when the under-gardener, Robert, heard of it, he blamed the mowing-machine. "To have to push anything like that would drive any man away," be said to Mr. Bullman.

The Honourable George Bullman was anxious that Mr. Cronch should still remain in the gardener's cottage. He would give him a pension, he said, for he did not want to lose so good a neighbour, whose advice he valued so highly. Mr. Bullman, of course, blamed the hat for the trouble. Jane wished to stay, but as the Oddity would not lie down, Mr. Cronch said they must go.

About two miles away from Green Gate House, upon the heath, there was a wretched cottage that had once been inhabited by a rabbit-catcher. Mr. Cronch chose this hut as a residence. About an acre of land went with it. Mr. Cronch repaired the cottage with his own hands, and put up new railings round the garden. In order to do this neatly he spent most of the money he had saved in service. Then he began to reclaim the garden, that was fallen out of cultivation and had become heath again.

The wild spirit of the waste land struggled against him. But here the poverty of the soil met its match. Nature is no respecter of persons; she gives alike to the good and to the evil. The potato-blight will ruin a good man's crop as well as a naughty one's. The heath was not a curry-combed creature, tamed with milk and wine. It was a savage animal, now friendly and kind, now cruel and vindictive, then mild. One day smiling like a pretty maid, and the next biting at you with ugly-shaped teeth.

There was no pleasant shelter there, no glass-houses. No high walls, no trimmed box-hedges. The winds of Heaven had free passage, a snake could roam at large and find only its natural enemies to attack it. The wild birds had rest. Mr. Cronch bowed his head and laboured. It needed something stronger than nature to cast him down. With the Oddity asleep, he could go on with his work. There was no need for him to rest, he was an obedient servant. He required no telling what to do in the way of work: even the Honourable George Bullman had put himself under Mr. Cronch's guidance. While he had hands and tools he could compel the most sour-tempered soil to serve his needs. His broad shoulders were ever bent over the ground as he turned the earthen clod.

It was not long before Mr. Cronch compelled the heath to pay him tribute, and soon a pleasant cottage and a large well-cultivated garden arose in the wilderness. There were many who respected Mr. Cronch for leaving so much good at Mr. Bullman's to do battle with nature upon the heath, but others said he only left his master out of pride. Mr. Cronch smiled when he heard that. "Here was a fine matter, indeed," he thought, "that a mortal man should have pride—a nice folly to call a leaf proud that is driven willy-nilly before a November gale. A fine pride that leaf must have when, at the last, it is buried in a dunghill!"

But if Mr. Cronch was proud, as some thought, it was only because he had the knowledge that, within him, something slept....

Mr. Cronch was resting contentedly one Sunday, reading a country paper. Even that morning he had been busy in his garden, and was glad now to rest while Jane prepared the dinner. Mr. Cronch sat there, a simple, working-class man, respectable—in years too—wearing spectacles, and reading his paper. He found something to read that interested him, for he read the same paragraph three times.

This was a police case. An old woman, who was employed on Saturdays by the Stonebridge town clerk to scrub his floors, had found upon the dining-room floor a blank cheque. This cheque she had filled in herself, and because she was a simple woman, without pride, she had written the town clerk's name instead of her own.

For thirty years Mrs. Tibby had kept herself and her husband John—who spent all his time in leaning over the town bridge to watch the water flow under—and now his one wish was to go to London to see the King. His wife wished to give him this treat. "'E do need a holiday," she said.

When a charwoman picks up money she has a right to it Mrs. Tibby thought the cheque money. Money, after a card-party, which there had been at the clerk's, is often left on the floor for the sweeper—that is the custom of the country.

Mrs. Tibby was not greedy; she only wrote "four pounds" upon the cheque. She supposed that sum to be enough to take her husband to see the King. If the clerk were annoyed, she knew she could work the money out in scrubbing the floors.

When she was taken up, she could get no bail, so she went to prison.

Mr. Cronch carefully folded the paper.

The month was November. Over the heath, dark sweeping clouds, like great besoms, were driving. The two ravens, who nested in the high fir tree, enjoyed the wind. The mist from the sea brought memories to their minds; they remembered stories told of men hanged in chains on Blacknoll Mound, whose bones could be pecked clean. The ravens flew off and looked for a lamb to kill.

Mr. Cronch laid the paper on the table, beside a smoking dish of fried beef and onions—there were other vegetables to come—and a rice pudding.

Mr. Cronch rose slowly and sniffed.

But the Oddity would not lie down. So Mr. Cronch told his wife he was going out. The distance to Stonebridge was twelve miles. Mr. Cronch put on his overcoat; he went to a drawer and took out twenty-five pounds. He put on his large black hat, opened the cottage-door and went out—the rain greeted him with a lively shower of water-drops. Jane let him go. She supposed him to be in one of his mad fits, that the Giant Despair in the Pilgrim's Progress used to have.

Mr. Cronch walked along with his usual slow, steady step— the gait of a careful gardener. When he reached Stonebridge he was not admitted into the jail, and so he took a lodging for the night.

In the morning he visited Mrs. Tibby. "I wish to be your bail," he said cheerfully.

Mrs. Tibby was in a maze. She did not know what she had done wrong. She was happy where she was, she was allowed to gossip with the prison charwoman, who was an old friend of hers. She begged Mr. Crouch, if he wished to be good to her, to allow her to stay with her friend, and to take her husband to London to see the King. Mrs. Tibby liked the prison. "Everyone is so kind," she said, "and when I complained to the doctor about my headaches, he ordered me gin. I have never been so happy before."

Mr. Cronch found Mr. Tibby smoking his pipe and leaning over the town bridge. He told him he was going to take him to see the King, and Mr. Tibby agreed to go, but first he knocked out his pipe on the stone coping of the bridge.

When they reached London, the King was out of town. He was soon to return, and Mr. Tibby spent the time happily, smoking his pipe and leaning over Waterloo Bridge, although the fog was so dense he could not see the river. When the King came, Mr. Cronch took Mr. Tibby into the crowd to see the King go by. Mr. Tibby sang "God Save the King", and shouted "Hurrah!" The King bowed.

"Now I shall die happy," said Mr. Tibby, "but how shall I get home?"

Mr. Cronch paid his fare to Stonebridge, and saw him off at the station.

The weather had impr oved; a brisk wind from the south-west had driven off the fog. Mr. Cronch, to please himself, walked into the city. He had fifteen pounds in his pocket, and he looked into the shop windows. He still wore his large black hat and the beggars avoided him. They thought him a Jewish money-lender, or else a Baptist minister. Beggars are shrewd judges of character. They have to decide quickly. Their income depends upon it. To beg from the wrong man means loss of time—perhaps prison.

Mr. Cronch went down a narrow street where some offices were. One of these was the office of a money-lender. A gentleman, who looked worn out by sickness and trouble, came out of the door. A woman, his wife, who carried a baby in her arms, waited for him in the street. The gentleman shook his head. Evidently the security that he had to offer was not good enough.

Then there arose a little conversation between them.

"I could go to mother's," the woman said.

"If I had money, I could go with you," the man observed, "the change would do me good, and I might get work in Bristol"

"Baby will be easier to manage in a few months," the woman said. "Mother will not mind taking us, but you will have to stay here."

"I can't let you go," said the man.

He made a curious sound in his throat.

Mr. Cronch stood near on the pavement. Who would have noticed Mr. Cronch? The couple paid no need to him. But presently they turned to where he stood, for Mr. Cronch spoke.

"Lie thee down. Oddity!" he said aloud.

The gentleman smiled, he could do nothing else. The baby held out her arms to Mr. Cronch; she wanted his hat. Mr. Cronch took two five-pound notes from his wallet and gave them to the woman. Then he walked away. For his own pleasure, he walked out of the city into the poor parts of the town. He walked along slowly and looked at the vegetables in the greengrocers' shops. He wondered that people could buy such old stuff. If he offered anything like that at the Weyminster market, he would never find a purchaser. He remembered the lordly freedom of the wild heath. There, nature might be cruel, but life and death joined hands in the dance. The sun could shine, and when darkness came it was the darkness of God. The town was different.

Mr. Cronch went down a dingy court. Clothes were hung from house to house, and barefooted children played in the gutter. The air was heavy with human odours and factory stench. Then Mr. Cronch came upon something worse than misery.

A man sat leaning against a wall, with half his face eaten away. His eyes were gone; he cried out to everyone whose footstep he heard, to lead him to the river. When Mr. Cronch came by, he cried out the more. Mr. Cronch stopped.

"Lie thee down. Oddity!" he said angrily.

"Lead me to the river," the man begged.

"Come," said Mr. Cronch, and led the man to the river. A policeman, who knew the man's wish, followed them. At the brink of the river the man said, "I am afraid; only give me one little push, and I shall die."

"Certainly," said Mr. Cronch, and pushed him into the river. The man sank like a stone.

The police officer came up to demand Mr. Cronch's name and address; he had made a note of what had happened.

"You will appear at court, charged with murder," he said. "But now you may go!"

Mr. Cronch walked out of the great city. He had enough money to take him home by train, but he liked walking. As he went along he decided to plant a part of his garden with spinach. He had seen a good deal of this green stuff in the London shops, and he thought he could sell it at home.

He walked ten miles out of town, and then took a lodging for the night. Since the Oddity had risen last, Mr. Cronch had behaved just as a sober gardener would when out for a holiday.

When he came to an allotment he would look into it to see what was grown. He found the ground good. But he believed that more glass might be used, and the city dung he thought too heating for the soil. He was especially interested in the window-flowers that he saw, but wondered that no hyacinths were seen, the bulbs having been all planted too late to bloom at that season.

Starting his walk again the next morning, Mr. Cronch came upon a large crowd watching a high factory chimney. This immense chimney, as high as the clouds and weighing many hundreds of tons, was being brought down. The workmen were busy at its base, and the crowd watched from a safe distance.

All was ready for the fall; the masons and engineers left the chimney. But one of the men remained to give the final stroke that would cause the huge structure to sway and fall. This mason completed his task, and began to walk to safety. When he was a few yards off the chimney, he trod upon a wet plank hidden in the mud, and fell heavily. The spectators expected him to jump up and run off. But he did not do so. An official held his watch in his hand, "One, two, three," he counted. When he reached sixty seconds the chimney would fall.

Its direction was known. It would fall directly upon the man. He tried to rise, but his leg was broken. He tried to crawl, but the pain prevented him. He raised himself up, and looked at the huge mass above him; he knew what was coming. None of the onlookers moved. It was too late to save the man; to go to him would mean certain death.

The chimney began to totter, to rock.

Then Mr. Cronch said softly, "Lie thee down, Oddity!" but the Oddity would not listen to him. Mr. Cronch spoke in so low a tone that perhaps the Oddity never even heard what he said.

Mr. Cronch walked with his slow gardener's step, to the man.

"What are you afraid of?" he asked him.

"Of the chimney," cried the man, "it's falling."

"What if it does fall," observed Mr. Cronch, looking up as though he thought the huge mass above him was a small pear tree.

"It's coming," cried the man.

Mr. Cronch took off his hat. The man smiled.

Sunday, May 9, 2021

DH Lawrence - Quotes

 

1. ON THE ROOT OF ALL THINGS

"The fairest thing in nature, a flower, still has its roots in earth and manure."

2. ON THE FLEETING NATURE OF LOVE

"Love is the flower of life, and blossoms unexpectedly and without law, and must be plucked where it is found, and enjoyed for the brief hour of its duration."

3. ON ACCEPTING ONE’S FLAWS

"The cruelest thing a man can do to a woman is to portray her as perfection."

4. ON TAKING CHANCES

"When one jumps over the edge, one is bound to land somewhere."

5. ON READING BETWEEN THE LINES

"I hold that the parentheses are by far the most important parts of a non-business letter."

6. ON DREAMS

"I can never decide whether my dreams are the result of my thoughts, or my thoughts the result of my dreams."

7. ON CHALLENGING AUTHORITY

"We have to hate our immediate predecessors to get free from their authority."

8. ON THE JOY OF LIVING

"For man, as for flower and beast and bird, the supreme triumph is to be most vividly, most perfectly alive."

9. ON SEPARATING AN ARTIST FROM HIS OR HER ART

"Never trust the artist. Trust the tale. The proper function of a critic is to save the tale from the artist who created it."

10. ON MAKING THE MOST OF LIFE

"Life is ours to be spent, not to be saved."

11. ON TRUSTING YOUR INSTINCTS

"Be a good animal, true to your animal instincts."

12. ON FINDING LOVE

"Those that go searching for love only make manifest their own lovelessness, and the loveless never find love, only the loving find love, and they never have to seek for it."

13. ON EMBRACING PASSION

"Be still when you have nothing to say; when genuine passion moves you, say what you've got to say, and say it hot."

14. ON MONEY

"Money poisons you when you've got it, and starves you when you haven't."

15. ON FIGHTING FOR FREEDOMS

"Do not allow to slip away from you freedoms the people who came before you won with such hard knocks."

Chaucer - The Canterbury Tales

 Whan that Aprill with his shoures soote

The droghte of March hath perced to the roote,
And bathed every veyne in swich licour
Of which vertu engendred is the flour;
Whan Zephirus eek with his sweete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halve cours yronne,
And smale fowles maken melodye,
That slepen al the nyght with open ye
(So priketh hem nature in hir corages),
Thanne longen folk to goon on pilgrimages.
          (General Prologue, 1–12)

The Firste Moevere of the cause above,
Whan he first made the faire cheyne of love,
Greet was th’effect, and heigh was his entente.
. . .
For with that faire cheyne of love he bond
The fyr, the eyr, the water, and the lond
In certeyn boundes, that they may nat flee.
         (The Knight’s Tale, 2987–2993)

Thus swyved was this carpenteris wyf,
For al his kepyng and his jalousye;
And Absolon hath kist hir nether ye;
And Nicholas is scalded in the towte.
This tale is doon, and God save al the rowte!
          (The Miller’s Tale, 3850–3854)


“people can die of mere imagination”
― Geoffrey Chaucer, The Canterbury Tales

“If gold rusts, what then can iron do?”
― Geoffrey Chaucer, The Canterbury Tales

“No empty handed man can lure a bird”
― Geoffrey Chaucer, The Canterbury Tales

“Then you compared a woman's love to Hell,
To barren land where water will not dwell,
And you compared it to a quenchless fire,
The more it burns the more is its desire
To burn up everything that burnt can be.
You say that just as worms destroy a tree
A wife destroys her husband and contrives,
As husbands know, the ruin of their lives. ”
― Geoffrey Chaucer, The Canterbury Tales

“Purity in body and heart
May please some--as for me, I make no boast.
For, as you know, no master of a household
Has all of his utensils made of gold;
Some are wood, and yet they are of use.”
― Geoffrey Chaucer, The Canterbury Tales

“Love will not be constrain'd by mastery.
When mast'ry comes, the god of love anon
Beateth his wings, and, farewell, he is gone.
Love is a thing as any spirit free.”
― Geoffrey Chaucer, The Canterbury Tales

“Youth may outrun the old, but not outwit.”
― Geoffrey Chaucer, The Canterbury Tales

“Yet do not miss the moral, my good men.
For Saint Paul says that all that’s written well
Is written down some useful truth to tell.
Then take the wheat and let the chaff lie still.”
― Geoffrey Chaucer, The Canterbury Tales

“And high above, depicted in a tower,
Sat Conquest, robed in majesty and power,
Under a sword that swung above his head,
Sharp-edged and hanging by a subtle thread.”
― Geoffrey Chaucer, The Canterbury Tales

“High on a stag the Goddess held her seat,
And there were little hounds about her feet;
Below her feet there was a sickle moon,
Waxing it seemed, but would be waning soon.
Her statue bore a mantle of bright green,
Her hand a bow with arrows cased and keen;
Her eyes were lowered, gazing as she rode
Down to where Pluto has his dark abode.”
― Geoffrey Chaucer, The Canterbury Tales

“But Christ's lore and his apostles twelve,
He taught and first he followed it himself.”
― Geoffrey Chaucer, The Canterbury Tales

“It seems to me that poverty is an eyeglass through which one may see his true friends.”
― Geoffrey Chaucer, The Canterbury Tales

“The man who has no wife is no cuckold.”
― Geoffrey Chaucer, The Canterbury Tales

“For he would rather have, by his bedside, twenty books, bound in black or red, of Aristotle and his philosophy, than rich robes or costly fiddles or gay harps.”
― Geoffrey Chaucer, The Canterbury Tales

“He who repeats a tale after a man,
Is bound to say, as nearly as he can,
Each single word, if he remembers it,
However rudely spoken or unfit,
Or else the tale he tells will be untrue,
The things invented and the phrases new.”
― Geoffrey Chaucer, The Canterbury Tales


Quotes from Books

      I don’t want every one to like me; I should think less of myself if some people did.

-Henry James, The Portrait of a Lady

Long ago, I learned how to be brave, how to go forward always.

-Homer, The Iliad

Who then may trust the dice, at Fortune’s throw?

-Geoffrey Chaucer, The Canterbury Tales

Let me say before I go that I forgive nobody. I wish them all an atrocious life and then the fires and ice of hell.

-Samuel Beckett, Malone Dies

My theme is memory, that winged host that soared about me one grey morning of war-time. These memories, which are my life — for we possess nothing certainly except the past — were always with me.

-Evelyn Waugh, Brideshead Revisited

Life is strewn with these miracles for which people who love can always hope.

-Marcel Proust, In Search of Lost Time

Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.

Almost all our sadnesses are moments of tension that we find paralyzing because we no longer hear our surprised feelings living. Because we are alone with the alien thing that has entered into our self; because everything intimate and accustomed is for an instant taken away; because we stand in the middle of a transition where we cannot remain standing. For this reason the sadness too passes: the new thing in us, the added thing, has entered into our heart, has gone into its inmost chamber and is not even there any more—is already in our blood. And we do not learn what it was. We could easily be made to believe that nothing has happened, and yet we have changed, as a house changes into which a guest has entered. …

The more still, more patient and more open we are when we are sad, so much the deeper and so much the more unswervingly does the new go into us, so much the better do we make it ours, so much the more will it be our destiny, and when on some later day it “happens” (that is, steps forth out of us to others), we shall feel in our inmost selves akin and near to it. And that is necessary. It is necessary—and toward this our development will move gradually—that nothing strange should befall us, but only that which has long belonged to us. …

That is at bottom the only courage that is demanded of us: to have courage for the most strange, the most singular and the most inexplicable that we may encounter.


 - Rilke - Letters to a Young Poet



Quotes from Famous Books

 

“We believe that we can change the things around us in accordance with our desires—we believe it because otherwise we can see no favourable outcome. We do not think of the outcome which generally comes to pass and is also favourable: we do not succeed in changing things in accordance with our desires, but gradually our desires change. The situation that we hoped to change because it was intolerable becomes unimportant to us. We have failed to surmount the obstacle, as we were absolutely determined to do, but life has taken us round it, led us beyond it, and then if we turn round to gaze into the distance of the past, we can barely see it, so imperceptible has it become.” – Marcel Proust, In Search of Lost Time

“Just remember that the things you put into your head are there forever, he said. You might want to think about that.
You forget some things, dont you?
Yes. You forget what you want to remember and you remember what you want to forget.” – Cormac McCarthy, The Road

“There is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there.” – Bret Easton Ellis, American Psycho

“Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn’t something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn’t get in, and walk through it, step by step. There’s no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That’s the kind of sandstorm you need to imagine.

And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You’ll catch that blood in your hands, your own blood and the blood of others.

And once the storm is over you won’t remember how you made it through, how you managed to survive. You won’t even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won’t be the same person who walked in. That’s what this storm’s all about.” – Haruki Murakami, Kafka On The Shore

“…I think we are well-advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind’s door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.” ― Joan Didion, Slouching Towards Bethlehem

“I will be very careful the next time I fall in love, she told herself. Also, she had made a promise to herself that she intended on keeping. She was never going to go out with another writer: no matter how charming, sensitive, inventive or fun they could be. They weren’t worth it in the long run. They were emotionally too expensive and the upkeep was complicated. They were like having a vacuum cleaner around the house that broke all the time and only Einstein could fix it. She wanted her next lover to be a broom.” ― Richard Brautigan, Sombrero Fallout


Under the Volcano - Quotes

 “How, unless you drink as I do, could you hope to understand the beauty of an old Indian woman playing dominoes with a chicken?”

― Malcolm Lowry, Under the Volcano

“No se puede vivir sin amar”
― Malcolm Lowry, Under the Volcano

“To say nothing of what you lose, lose, lose, are losing, man. You fool, you stupid fool ... You've even been insulated from the responsibility of genuine suffering ... Even the suffering you do endure is largely unnecessary. Actually spurious. It lacks the very basis you require of it for its tragic nature. You deceive yourself.”
― Malcolm Lowry, Under the Volcano

“and as they stood in silence before her, prayed again. "Nothing is altered and in spite of God's mercy I am still alone. Though my suffering seems senseless I am still in agony. There is no explanation of my life." Indeed there was not, nor was this what he'd meant to convey. "Please let Yvonne have her dream -- dream? -- of a new life with me -- please let me believe that all that is not an abominable self-deception," he tried... "Please let me make her happy, deliver me from this dreadful tyranny of self. I have sunk low. Let me sink lower still, that I may know the truth. Teach me to love again, to love life." That wouldn't do either... "Where is love? Let me truly suffer. Give me back my purity, the knowledge of the Mysteries, that I have betrayed and lost. -- Let me be truly lonely, that I may honestly pray. Let us be happy again somewhere, if it's only together, if it's only out of this terrible world. Destroy the world!" he cried in his heart.”
― Malcolm Lowry, Under the Volcano

“Somebody threw a dead dog after him down the ravine.”
― Malcolm Lowry, Under the Volcano

“He was safe here; this was the place he loved - sanctuary, the paradise of his despair.”
― Malcolm Lowry, Under the Volcano
“What use were his talons and fangs to the dying tiger? In the clutches, say, to make matters worse, of a boa-constrictor? But apparently this improbable tiger had no intention of dying just yet. On the contrary, he intended taking a little walk, taking the boa-constrictor with him, even to pretend, for a while, it wasn't there.”
― Malcolm Lowry, Under the Volcano

“Yes, it struck her now that this whole business of the bull was like a life; the important birth, the fair chance, the tentative, then assured, then half-dispairing circulations of the ring, an obstacle negotiated - a feat improperly recognized - boredom, resignation, collapse: then another, more convulsive birth, a new start; the circumspect endeavours to obtain one's bearings in a world now frankly hostile, the apparent but deceptive encouragement of one's judges, half of whom were asleep, the swervings into the beginnings of disaster because of that same negligible obstacle one had surely taken before at a stride, the final enmeshment in the toils of enemies one was never quite certain weren't friends more clumsy than actively ill-disposed, followed by disaster, capitulation, disintegration.”
― Malcolm Lowry, Under the Volcano

“Interchangeable ever were the terms of abuse with which the aggressor discredits those about to be ravaged!”
― Malcolm Lowry, Under the Volcano

“Can't you see there's a determinism about the fate of nations? They all seem to get what they deserve in the long run.”
― Malcolm Lowry, Under the Volcano

“It's amazing when you come to think of it how the human spirit seems to blossom in the shadow of the abattoir!”
― Malcolm Lowry, UNDER THE VOLCANO

“Ah, guilt and sorrow had dogged Juan's footsteps too, for he was not a Catholic who could rise refreshed from the cold bath of confession. Yet the banality stood: that the past was irrevocably past. And conscience had been given man to regret it only in so far as that might change the future. For man, every man, Juan seemed to be telling him, even as Mexico, must ceaselessly struggle upward. What was life but a warfare and a stranger's sojourn?”
― Malcolm Lowry, Under the Volcano

“Far above him a few white clouds were racing windily after a pale gibbous moon. Drink all morning, they said to him, drink all day. This is life!”
― Malcolm Lowry, Under the Volcano

“They were the cars at the fair that were whirling around her; no, they were the planets, while the sun stood, burning and spinning and guttering in the centre; here they came again, Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, Pluto; but they were not planets, for it was not the merry-go-round at all, but the Ferris wheel, they were constellations, in the hub of which, like a great cold eye, burned Polaris, and round and round it here they went: Cassiopeia, Cepheus, the Lynx, Ursa Major, Ursa Minor, and the Dragon; yet they were not constellations, but, somehow, myriads of beautiful butterflies, she was sailing into Acapulco harbour through a hurricane of beautiful butterflies, zigzagging overhead and endlessly vanishing astern over the sea, the sea, rough and pure, the long dawn rollers advancing, rising, and crashing down to glide in colourless ellipses over the sand, sinking, sinking, someone was calling her name far away and she remembered, they were in a dark wood, she heard the wind and the rain rushing through the forest and saw the tremours of lightning shuddering through the heavens and the horse—great God, the horse—and would this scene repeat itself endlessly and forever?—the horse, rearing, poised over her, petrified in midair, a statue, somebody was sitting on the statue, it was Yvonne Griffaton, no, it was the statue of Huerta, the drunkard, the murderer, it was the Consul, or it was a mechanical horse on the merry-go-round, the carrousel, but the carrousel had stopped and she was in a ravine down which a million horses were thundering towards her, and she must escape, through the friendly forest to their house, their little home by the sea.”
― Malcolm Lowry, Under the Volcano

“Please let me make her happy, deliver me from this dreadful tyranny of self. I have sunk low. Let me sink lower still, that I may know the truth. Teach me to love again, to love life.” That wouldn’t do either … “Where is love? Let me truly suffer. Give me back my purity, the knowledge of the Mysteries, that I have betrayed and lost.—Let me be truly lonely, that I may honestly pray. Let us be happy again somewhere, if it’s only together, if it’s only out of this terrible world. Destroy the world!” he cried in his heart.”
― Malcolm Lowry, Under the Volcano

“Bent double, groaning with the weight, an old lame Indian was carrying on his back, by means of a strap looped over his forehead, another poor Indian, yet older and more decrepit than himself. He carried the older man and his crutches, trembling in every limb under this weight of the past, he carried both their burdens.”
― Malcolm Lowry, Under the Volcano

“When I should have been producing obscure volumes of verse entitled the Triumph of Humpty Dumpty or the Nose with the Luminous Dong! Or at best, like Clare, "weaving fearful vision" ... A frustrated poet in every man. Though it is perhaps a good idea under the circumstances to pretend at least to be proceeding with one's great work on "Secret Knowledge," then one can always say when it never comes out that the title explains the deficiency.”
― Malcolm Lowry, Under the Volcano

“He felt rather like someone lying in a bath after all the water has run out, witless, almost dead.”
― Malcolm Lowry, UNDER THE VOLCANO

“All of them, you see, misfits, all good for nothing, cowards, baboons, meek wolves, parasites, every man jack of them, people afraid to face their own responsibilities, fight their own fight, ready to go anywhere, as Tolstoy well perceived—”
― Malcolm Lowry, Under the Volcano

“Journalism equals intellectual male prostitution of speech and writing,”
― Malcolm Lowry, Under the Volcano

“To-night, as ages hence, people would say this, or shut their doors on them, turn in bereaved agony from them, or toward them with love saying: “That is our star up there, yours and mine”; steer by them above the clouds or lost at sea, or standing in the spray on the forecastle head, watch them, suddenly, careen; put their faith or lack of it in them; train, in a thousand observatories, feeble telescopes upon them, across whose lenses swam mysterious swarms of stars and clouds of dead dark stars, catastrophes of exploding suns, or giant Antares raging to its end—a smouldering ember yet five hundred times greater than the earth’s sun.”
― Malcolm Lowry, Under the Volcano

“And the earth itself still turning on its axis and revolving around that sun, the sun revolving around the luminous wheel of this galaxy, the countless unmeasured jewelled wheels of countless unmeasured galaxies, turning, turning, majestically, into infinity, into eternity, through all of which all life ran on—all this, long after she herself was dead, men would still be reading in the night sky, and as the earth turned through those distant seasons, and they watched the constellations still rising, culminating, setting, to rise again—Aries, Taurus, Gemini, the Crab, Leo, Virgo, the Scales and the Scorpion, Capricorn the Sea-goat and Aquarius the Water Bearer, Pisces, and once more, triumphantly, Aries!—would they not, too, still be asking the hopeless eternal question: to what end? What force drives this sublime celestial machinery?”
― Malcolm Lowry, Under the Volcano

“They were galloping...Bare level plain had taken the place of the scrub and they'd been cantering briskly, the foals prancing delightedly ahead, when suddenly the dog was a shoulder-shrugging streaking fleece, and as their mares almost imperceptibly fell into the long untrammelled undulating strides, Hugh felt the sense of change, the keen elemental pleasure one experienced too on board a ship which, leaving the choppy waters of the estuary, gives way to the pitch and swing of the open sea. A faint carillon of bells sounded in the distance, rising and falling, sinking back as if into the very substance of the day. Judas had forgotten; nay, Judas had been, somehow, redeemed.”
― Malcolm Lowry, Under the Volcano

“Every man must ceaselessly struggle upwards. What was life but a warfare and a stranger's sojourn?”
― Malcolm Lowry, Under the Volcano

“Nothing is altered and in spite of God’s mercy I am still alone. Though my suffering seems senseless I am still in agony. There is no explanation of my life.” Indeed there was not, nor was this what he’d meant to convey.”
― Malcolm Lowry, Under the Volcano

“In the war to come correspondents would assume unheard of importance, plunging through flame to feed the public its little gobbets of dehydrated excrement.”
― Malcolm Lowry, Under the Volcano

“Meantime do you see me as still working on the book, still trying to answer such questions as: Is there any ultimate reality, external, conscious and ever-present etc. etc. that can be realised by any such means that may be acceptable to all creeds and religions and suitable to all climes and countries? Or do you find me between Mercy and Understanding, between Chesed and Binah (but still at Chesed)—my equilibrium, and equilibrium is all, precarious—balancing, teetering over the awful unbridgeable void, the all-but unretraceable path of God’s lightning back to God?...Though it is perhaps a good idea under the circumstances to pretend at least to be proceeding with one's great work on "Secret Knowledge," then one can always say when it never comes out that the title explains this deficiency.”
― Malcolm Lowry, Under the Volcano

“Why am I here, says the silence, what have I done, echoes the emptiness, why have I ruined myself in this wilful manner, chuckles the money in the till, why have I been brought so low, wheedles the thoroughfare, to which the only answer was—The square gave him no answer.”
― Malcolm Lowry, Under the Volcano

“Night: and once again, the nightly grapple with death, the room shaking with daemonic orchestras, the snatches of fearful sleep, the voices outside the window, my name being continually repeated with scorn by imaginary parties arriving, the dark’s spinets. As if there were not enough real noises in these nights the color of grey hair. Not like the rending tumult of American cities, the noise of the unbandaging of great giants in agony.”
― Malcolm Lowry, Under the Volcano

“Hugh concentrated upon different objects in the camiĆ³n; the driver’s small mirror with the legend running round it—CooperaciĆ³n de la Cruz Roja, the three picture postcards of the Virgin Mary pinned beside it, the two slim vases of marguerites over the dashboard, the gangrened fire extinguisher, the dungaree jacket and whiskbroom under the seat where the pelado was sitting—he watched him as they hit another bad stretch of road. Swaying from side to side with his eyes shut, the man was trying to tuck in his shirt. Now he was methodically buttoning his coat on the wrong buttons. But it struck Hugh all this was merely preparatory, a sort of grotesque toilet.”
― Malcolm Lowry, Under the Volcano

“Ah, the harbour bells of Cambridge! Whose fountains in moonlight and closed courts and cloisters, whose enduring beauty in its virtuous remote self-assurance, seemed part, less of the loud mosaic of one's stupid life there, though maintained perhaps by the countless deceitful memories of such lives, than the strange dream of some old monk, eight hundred years dead, whose forbidding house, reared upon piles and stakes driven into the marshy ground, had once shone like a beacon out of the mysterious silence, and solitude of the fens. A dream jealously guarded: Keep off the Grass. And yet whose unearthly beauty compelled one to say: God forgive me.”
― Malcolm Lowry, Under the Volcano

“The broken pink pillars, in the half-light, might have been waiting to fall down on him: the pool, covered with green scum, its steps torn away and hanging by one rotting clamp, to close over his head. The shattered evil-smelling chapel, overgrown with weeds, the crumbling walls, splashed with urine, on which scorpions lurked - wrecked entablature, sad archivolt, slippery stones covered with excreta - this place, where love had once brooded, seemed part of a nightmare.”
― Malcolm Lowry, Under the Volcano

“Closing his eyes again, standing there, glass in hand, he thought for a minute with a freezing detached almost amused calm of the dreadful night inevitably awaiting him whether he drank much more or not, his room shaking with daemonic orchestras, the snatches of fearful tumultuous sleep, interrupted by voices which were really dogs barking, or by his own name being continually repeated by imaginary parties arriving, the vicious shouting, the strumming, the slamming, the pounding, the battling with insolent archfiends, the avalanche breaking down the door, the proddings from under the bed, and always, outside, the cries, the wailing, the terrible music, the dark’s spinets: he returned to the bar.”
― Malcolm Lowry, Under the Volcano


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